Inscribing Meaning by Christine Mullen Kreamer

Nichole Bridges, Contact, Commentary, and Kongo Memory: Perspectives on Loango Coast Souvenir Ivories, ca. Strother (Columbia)Īmanda Rogers, Politics, Gender and the Art of Religious Authority in North Africa: Moroccan Women’s Henna Practice, Emory University, 2013.Īlexander Bortolot, A Language for Change: Creativity and Power in Mozambican Makonde Masked Performance, circa 1900-2004, Columbia University, 2007. Giulia Paoletti, Un Nouveau Besoin: Photography and Portraiture in Senegal (1860-1960). Sandrine Colard, Photography in the Colonial Congo (1885-1960), Columbia University, 2016.Ĭhika Chinyeogwa Chudi-Duru, Exploration of Akwete Weaves Motifs for Adaptation on Printed Textiles for Apparel Production, Ahmadu Bello University, 2017. Kate Cowcher, Between Revolutionary Motherland and Death: Art and Visual Culture in Socialist Ethiopia, Stanford University, 2017. William Fagg Past Roy Sieber Dissertation Awards Peer Forum: Critical Terminology, Acquisition, and Exhibition Practices.

Making North American African Art Collections Accessible and Visible.Comparative Models for Restitution and Repatriation.Criteria and Parameters for Objects Subject to Potential Collaboration, Restitution, and Repatriation.Institutional Collections of African Art.Arnold Rubin Outstanding Publication Award.ACASA Presidents, Secretaries, and Treasurers.

Inscribing Meaning by Christine Mullen Kreamer